05 Oct

Writing Through the Senses

Posted in Creativity, Mood, Writing

As mentioned in Monday’s post, one great way to get new story ideas or kick-start your writing is to use the five senses.  In addition to helping spice up flat descriptions, the senses are also a great source of inspiration.  Here’s a short sampler of ways you can engage the five senses to get a new perspective in your writing.

Sound

This sense forces us to focus.  When we listen–really listen–to something, we zoom in and focus on it in depth.  It is important to practice listening and not just letting sounds wash over us, so we train our minds to pay attention.  This is the first of the senses that I always turn to because once I can focus, the writing comes naturally.

Warm up your writing chops by listening to some music.  The Planets by Gustav Holst is a great piece for just about any writer because each movement captures a completely different mood.  On Friday, I’ll share more of my favorite pieces of writing music.

To hear the different moods in Holst’s The Planets, click on the following links:
Mars     Venus      Mercury      Jupiter      Saturn      Uranus     Neptune

 

Sight

This is probably the one of the five senses that we use most often.  When we describe things in our writing, it’s easy to forget the other senses and focus only on what we see, because vision is so powerful.  But there are other ways we can use sight to inspire us as well.

Look at a painting or photograph and try to figure out the story behind it.  Who is the main character?  Why is he there?  If is photo or painting is a snapshot of a moment, what happened just before that moment?  What happens after?

Another exercise I love is going to a paint store and browsing the paint chips.  A color can sum up a mood in a way that would require dozens of words.  In fact, I often give my protagonists a “signature color” and post the paint chip on my bulletin board for as long as I’m working with that character.

Touch

Touch forces us to notice the little things.  When we close our eyes and ears, and rely only on our fingers, the ordinary things in life become extraordinary.  Try this: close your eyes and pick up a small object (a paper clip, a small stone, a seashell, etc.).  Let your fingers explore the object and notice all the minute details.  By examining a object through touch alone, you will notice things about it that you would not have picked up on otherwise.

 

Taste

This sense is all about interaction.  When we taste something, we gobble it up, drink it in and experience it from the inside out.  Taste also elicits very visceral reactions.  If we don’t like the taste of something, we know right away and we know it in our core.  When I need to access raw emotion, I turn to taste because there’s an immediacy to it that none of the other senses seems to capture in the same way.

Give your writing a jolt by tasting something that gives you a strong visceral response.  I often turn to jelly beans when I need to access this one of the five senses.

 

Smell

Finally, there’s smell.  This sense is unique because of all the senses, smell is the only one that has a direct pathway between the receptor (in this case the nose) and the memory center of the brain.  Think about it, smells often bring up unexpected memories or make you remember things that had been buried for years.  I know that whenever I smell one particular scent (which I can’t name because it’s a combination I can’t even describe) it makes me think of my grandmother’s house.  Smell is a powerful sense because it’s loaded with so much memory and emotion.

When I turn to smell, I use it to access memories.  This lavender lotion I use reminds me of a vacation I took years ago to Scandinavia.  The smell of coconut reminds me of drinking coconut water on the beaches of Brazil when visiting family.  If I need to remember a moment or put my character in a setting I visited long ago, I try to draw on a smell to bring that place to life.

 

The senses are such a powerful source of inspiration for writers that I have actually designed an entire writing course based on the five senses.  This course works equally well with adults or kids as young as elementary school because the senses are something that writers of all ages can latch onto and “get” pretty quickly.  For this reason, when I really need to jump-start my creativity, I often turn to the five senses early in the brainstorming process.  This is also why I thought it was important to introduce this concept early on because it’s something we’ll be talking about a lot as we continue through DIY MFA.

Do you use the five senses for inspiration?  Which of the senses do you turn to most often?  Which ones could use a little more attention?  This week, choose one that you use less often and do something with with it to inspire some writing.

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Comments on this post

  1. Kathleen Pooler says:

    Hi Gabi,
    Just stopping by to let you know your blog is so rich in content and, as I’ve said before, your tone is very engaging and personable. Great job!

    We write in scenes, incorporating sensual details in memoir writing so this post really hit home for me. As far as developing characters, we have to bring the real-life characters to life using the same techniques as fiction writers. Our life stories have to read like a novel. Often times, we use old family pictures or music to prompt memories and moods. Of course, the whole idea of revealing our truths is a whole other area of consideration/consternation as you have addressed in the previous post. I can’t even tell you why in the world I would embark on writing my memoir except to say-there is a story inside me that is screaming to be told! Onward.

    Keep up your incredible work. It has been a pleasure to get to know you :-)

    Kathy

    1. Satia says:

      I recently read a manuscript for a novella by a young writer and I suggested to him that he take a highlighter (or just use the highlighting feature in what program he was using) and assign each sense a different color. Then highlight any time he describes what a character sees or hears or tastes, etc. In this way, you can visually see what sensory details are missing.
      .
      Typically, it really only takes a chapter or two to realize where your comfort zone is and where you need to expand yourself. I tend to fall into visual descriptions and, knowing this, I occasionally give myself a challenge to write a scene using only one of the other senses. (I think I mentioned in one of my other posts about how I have a file of prompts that I’ve either created for myself or gathered along the way. This is one I’ve created for myself and I concede I’ve never written anything that relied on only one sense that was worth revising. But this has opened my eyes—there I go with the visual again!—to my natural inclination and helped me to look (and again!) for opportunities to infuse other sensory details in my writing.

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