A few weeks ago we ran an online workshop called 7 Techniques to Boost Your Writing. We were so thrilled with how it went that we’ve decided to host another one. This workshop is designed to help you boost your writing and get your story back on track. Whether you’re stuck on how to start,… Continue Reading »
With 2012 drawing to a close, we wanted to share a few of our favorite articles from DIY MFA with you. But before we get to that, here’s a recap of how DIY MFA works. While in graduate school, I discovered that the typical Creative Writing MFA boils down to one simple formula. Some graduate… Continue Reading »
While at ThrillerFest, I had a chance to attend a couple of talks that discussed plot and story structure, though even then those sessions did also emphasize the importance of character. In fact, if I were to pinpoint a theme of all the panels I sat in on at the conference, I would say that… Continue Reading »
We end our week-long celebration of Teen Literature with an interview today with the charming Elana Johnson. I began following Elana’s blog when I first started exploring the blogsphere for fellow writers. Immediately it became one of my go-to writing blogs because of her honest, no-nonsense advice and her generosity to other writers. She’s one… Continue Reading »
Writing fiction is alchemy. We can have all the ingredients for a great story and still miss that wow factor that makes it all come together, makes our work transform from words on a page to a living, breathing entity with the possibility to burrow into someone else’s consciousness. And we all know plenty of… Continue Reading »
This past week we’ve been talking about outlines. On Monday I asked the question: Plotter or Pantser? Where Do You Stand? That post got me thinking about my own writing process. I’m usually not a seat-of-my-pants writer but I hate traditional outlines. Something about long lists (I.A, 2.b–it’s all Greek to me) just doesn’t work… Continue Reading »
One of my favorite ways to outline or plan a story is to map it out like a subway or road map. Here’s how this technique works. Each road or subway line represents a different story-thread or plot line. The dots (exits on the highways or subway stops) represent different scenes or moments in the… Continue Reading »
Plotter: n. (1) A writer who plots out his or her story in the greatest of detail before starting the draft; (2) a writer obsessed with outlines, index cards and writing apps; (3) a writer who spends most of his or her time organizing the novel then writes it in about ten minutes. Pantser: n…. Continue Reading »
Every story needs a “bad guy,” someone or something that gets in the protagonist’s way and keeps making trouble for him or her. For instance if my life were a novel, the “bad guy” would be an impossibly cute 3-year-old ginger cat, whose offenses include: “Decorating” the living room with shredded articles of mail Skulking… Continue Reading »
I first learned to do a Rough Sketch in a writing class. The purpose of the Rough Sketch is to provide a snapshot of your work-in-progress (WIP), capturing all the important information on one page so that you can see it all at a glance. This technique is especially useful when you need to give… Continue Reading »