On Monday we talked about how character’s are the story. Today, I pose another idea: while characters may be the story, what really makes your story interesting is the antagonist. And in the case of most thrillers, the antagonist happens to be a villain. If you’re wondering about the distinction between villains and antagonists, check… Read more »
As I mentioned in my introduction to the ThrillerFest recaps, I fully expected to learn a lot about plot, pacing and suspense. What I did NOT expect was that character development would be the central topic to just about every talk or panel I attended. Character development in a thriller? Actually, that idea is not… Read more »
While at ThrillerFest I attended two panels about branding. How Do You Build a Thriller Brand? was headed up by Jaime Levine (Executive Editor, formerly with Grand Central Publishing) and included big names such as: agent Dan Conaway and authors Catherine Coulter, Joseph Finder, Lisa Gardner and John Sandford. (You can see them pictured in… Read more »
It might seem a bit like putting the cart before the horse to focus on branding when many writers at DIY MFA are pre-published. There is a logic here, though, I promise. I attended several talks and panels at ThrillerFest on this very topic and one theme kept coming up again and again. While most… Read more »
This past week, I attended ThrillerFest, the International Thriller Writers(ITW) annual conference. While I myself do not write thrillers, I knew I would learn a lot of techniques I could apply to my own writing–like how to plot a novel and build suspense–by attending a thriller conference. I expected plot would be the focus of… Read more »
At least, starting one is. The world of bloggery can at times seem like a nighttime jungle riddled with snakes, rotting trees, booby traps, and poison darts. And this time, Indiana Jones won’t be there to save you. Don’t be intimidated. This won’t hurt… much. If you’re a writer or an author or you eventually… Read more »
Over the last twenty years, the music industry has been shaken to its core. The old ways (nab a record deal, record in a fancy studio, depend on your label to distribute and market) vanished and the new ways (record it yourself, distribute it digitally, promote via social networks and one-to-one community building) took hold…. Read more »
Today we have an excellent guest post by Leanna Renee Hieber, author of DARKER STILL. I had the pleasure of chatting briefly with Leanna over lunch at the BEA Bloggers Conference. The minute I met her I could tell how passionate she is about historical fiction and the time period she writes about. At the… Read more »
There are many types of writing workshops out there, some more effective than others at giving you useful feedback on your writing. Whether you’re new to the workshop scene or have been participating in critique sessions for a long time, there’s one workshop method that’s been proven time and again to help writers improve their… Read more »
We have a rule in the workshop I teach: we’ll critique any work as long as the writer has not yet submitted it for publication. When it comes to discussion, we’ll discuss any piece of writing published or not. Why this distinction between critique and discussion? And what exactly is the difference between the two? … Read more »
