“I’ve read all of John Grisham’s books. What other legal fiction authors would you recommend?” This is probably the most common reading question I’m asked at my day job as a librarian. For a long time, there was only one other author that wrote like Grisham – Scott Turow. Turow is often credited with inventing… Read more »
When I set out to write The Hawkweed Prophecy, I was struck by the idea of two girls switched at birth and the teenagers they’d become. I had never written a novel before. At this point, I had just finished the script for The Little Prince and had worked with a team, turning in drafts… Read more »
Last year, I attended a national writing conference. I settled into my seat for the spotlight author interview, pencil poised, ready to absorb lessons from this New York Times bestselling author. The moderator pulled out his list of questions, smiled at the author, and said, “I promise I won’t ask where you get your ideas.”… Read more »
I don’t know why it took me so long to read James Scott Bell’s Revision and Self Editing for Publication (it’s incredible!) but I do know it changed the way I looked at my story, my characters, and what really mattered in my plot. What did Bell say about back cover copy? Not too much…other… Read more »
Sometimes you need a break. A walk can refresh the brain cells. A change of scenery can spark new thoughts. Taking out the trash, or doing some other small but worthy action can be a perfect palliative. Quick and focused, the sojourn lets you return to the keyboard undistracted and morally superior. But this article… Read more »
One great way to get new story ideas or kick-start your writing is to use the five senses for inspiration. Most writers think of the senses as a way to spice up flat descriptions. In fact, I have one writer friend who used to keep a post-it note stuck to his computer screen with the… Read more »
Congrats—you finished the first draft. Yet you’ve only begun. You know you need to revise. So, you reread and cut, add, edit, restructure, and do it again and again. At some point, after several revisions, the act can become deadening and you need fresh eyes. In writing my novel, Into That Good Night, I often… Read more »
The number of articles, posts, academic theses, and books about The Hero’s Journey and its variants attests to the model’s enduring usefulness to both writers and academics. It’s a way into story structure from an anthropological, sociological, and psychological angle that will help deepen your understanding of other structural models and enrich your work. I… Read more »
Every previous plot point has led up to this moment. The inciting incident ushered the protagonist into the main conflict. The Act I choice saw him committing to a goal influenced by that conflict. The midpoint gave him time to reflect and rethink his plans, and then the Act II crisis nearly destroyed his faith… Read more »
There are many things we can draw from our lives to tell stories. But, what if you went through something deeply personal and wanted to tell that story? Maybe you don’t want to write a memoir and expose the painful realities that you experienced with loved ones and others involved. It may feel way too… Read more »
