Today, I have the pleasure of interviewing Mary Robinette Kowal. We’ll be talking about challenging your default assumption about the world and her latest book The Spare Man.
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In this episode Mary Robinette Kowal and I discuss:
- How she wrote a mash-up of old Hollywood glamour and a futuristic space setting.
- Why it was important to use fluid pronouns in this novel and what she learned writing it.
- What she has learned over the course of writing ten books and how to reset.
Plus, her #1 tip for writers.
About Mary Robinette Kowal
Mary Robinette Kowal is the four-time Hugo, Locus, and Nebula Award-winning author of The Glamourist Histories series, Ghost Talkers, the Lady Astronaut Universe, and The Spare Man. She is a cast member of the award-winning podcast Writing Excuses and has received the Astounding Award for Best New Writer. Her stories appear in Asimov’s, Uncanny, and Year’s Best anthologies. Mary Robinette is a professional puppeteer, and she also performs as a voice actor (SAG/AFTRA), recording fiction for authors including Seanan McGuire, Cory Doctorow, and John Scalzi. She lives in Nashville with her husband Rob and over a dozen manual typewriters.
The Spare Man
Tesla Crane, a brilliant inventor and an heiress, is on her honeymoon on an interplanetary space liner, cruising between the Moon and Mars. She’s traveling incognito and is reveling in her anonymity. Then someone is murdered and the festering chowderheads who run security have the audacity to arrest her spouse. Armed with banter, martinis and her small service dog, Tesla is determined to solve the crime so that the newlyweds can get back to canoodling—and keep the real killer from striking again.
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