The notion that we had an undiscovered perspective filled us with indescribable joy. For so long we’d lived with only three. Admittedly, our beloved 2nd Person had been chased away by middle school teachers and college composition courses, but we consoled ourselves with 1st and 3rd, made the most of them, and enjoyed our perspective… Read more »
From big picture elements to sentence-level style, editing is a natural and necessary part of writing. It can also be terribly intimidating. While there are plenty more aspects to review, here are eight essential things you should be editing for in your own work. Be sure to take care of these essential edits before sending… Read more »
When we read great dialogue, sparks fly. Why? I love dialogue. When I’m reading a book and I spot dialogue up ahead, I think: Sweet—we’re getting to the good stuff soon. And when I’m writing a book and I get to a part requiring dialogue, I think: Sweet—time to have some real fun. Here’s the… Read more »
Do you love talking about the books you read with friends, classmates, or your book club? (I know. All of us word nerds love to do this, right?) So maybe you’ve noticed, either online or in the back matter of some of the books you own, that authors or publishers sometimes share discussion questions for… Read more »
Writers of all genres must learn how to craft realistic stories that enthrall a reader from page one to The End. Romance writers have the added responsibility to take two people who may not have met on page one from an initial hello to a happily ever after (HEA) ending. Plus, this magical culmination must… Read more »
Our author voices are made up of a combination of modes. The four main ones being dialogue, description, action, and internal thought. Those are the most common modes balancing fictional prose. Too much of any one mode—clumps of description, trains of dialogue, pages of action, and dumps of internal thought—bogs down prose and makes it… Read more »
Rick Kerb’s Little Miss Sunshine (featuring Alan Arkin, Steve Carell, and Abigail Breslin) won the Oscar for best original screenplay in 2007, and for a good reason. Not only does this film follow a cast of colorful characters, the story also thrives on sharp, engaging dialogue rich with tension. But what can screenwriting teach fiction… Read more »
#askbecca “I’m having trouble developing fully-rounded characters and showing how they change as the plot progresses.” — Charles E. “My go-to strategies for character development are either describing the clothes that a character is wearing or what they order if they sit down at a restaurant.” — Cooper S. Here is an actual character description… Read more »
With 2012 drawing to a close, we wanted to share a few of our favorite articles from DIY MFA with you. But before we get to that, here’s a recap of how DIY MFA works. While in graduate school, I discovered that the typical Creative Writing MFA boils down to one simple formula. Some graduate… Read more »
There are nine things you should beware of when writing dialogue. I call these the “Nine NO’s” because they’re things that as a general rule writers should try to avoid. Notice, though, that these are not the “Nine Nevers” just Nine NO’s. That means that while you should try to avoid these things, you shouldn’t… Read more »
