We’re back with another three-act analysis, this time of the French classic, The Little Prince by Antoine de Saint-Exupery. This book has been a long-time favorite of mine, and like Animal Farm it has a great deal of allegory and symbolism woven into it, though it is decidedly less pessimistic and has a tone that… Read more »
Time management is one of the most misunderstood concepts because most people think it’s all about watching the clock and saving time. That couldn’t be farther from the truth. You see, watching the clock is not time management, it’s punctuality. Similarly, saving time is efficiency, which is different from time management. After all, you could… Read more »
This time I thought I’d do an analysis of Murder, She Wrote, one of my all-time favorite TV shows. If you’re not familiar with it, it’s about Jessica Fletcher, a retired schoolteacher-turned-mystery-author who goes around solving murders. Some of those murders take place in her beloved hometown of Cabot Cove, while others occur when she… Read more »
For some writers, point of view (POV) comes naturally. They hear their character’s voice in their head and know exactly whose perspective the story needs to be in. For other writers, POV can be a minefield where it’s impossible to know which point of view to choose. In fact, it might feel like you have… Read more »
A lot of people are nervous—and with good reason—that Artificial Intelligence (AI) might take away opportunities from human writers. After all, why should publishers pay humans to produce material when they can get a GPT to spit out something similar for free? What is it that can differentiate human writers from the bots? Two things:… Read more »
It recently occurred to me that it would be interesting to see if the three-act structure worked with one of Shakespeare’s plays. After all, the structure has held up when looking at novels and movies of various different genres, but I have yet to use it to analyze anything by Shakespeare. To find out if… Read more »
“Subplots are like the adjectives of your main story/sentence. You can still understand the sentence without them, but it’s not as fascinating.” ~Charlie Holmberg I love this quote because I think it captures the nature of subplots to a T. The main plot is like a noun or verb in a sentence, it’s the part… Read more »
Today, we embark on another three-act analysis, this time of one of the most iconic American novels of the 20th century: The Great Gatsby by F. Scott Fitzgerald. Published in 1925 and set in the early 1920s, this story captures the sparkle and energy of the roaring twenties and gives us a window into the… Read more »
“Where do you get ideas?” Every writer has been asked that question at some point in their career. Sometimes it seems like new story ideas appear as if by magic. Other times it can feel like pulling teeth. So, how do we as writers get new story ideas? Let me give you a window into… Read more »
For the last few months, we’ve been doing three-act analyses of various books and films. We examined Pride and Prejudice, the movie Die Hard, and Kate Chopin’s fabulous story “The Story of an Hour.” Today I thought I’d do an analysis of one of my favorite books: The Hunger Games. This book (along with Pride… Read more »
