Do you love talking about the books you read with friends, classmates, or your book club? (I know. All of us word nerds love to do this, right?) So maybe you’ve noticed, either online or in the back matter of some of the books you own, that authors or publishers sometimes share discussion questions for… Read more »
Whether you’re a plotter or a pantser at heart, you probably recognize that an unwieldy, unclear, or unstable structure can be a death sentence for your novel. Even if you’re writing a book defined by its quirky characters or experimental style, most readers simply won’t have the patience to get through it unless the structure… Read more »
In my article last month, we discussed the first of James Scott Bell’s signpost scenes in his plotting masterpiece Super Structure: The Key To Unleashing The Power of Story. We went through how first chapters must incorporate some sort of disturbance that upsets the routine of the protagonist’s ordinary world. But readers won’t care about… Read more »
There’s no one way to plot a romance. Everyone has their own system of structuring. Romancing the Beat by Gwen Hayes is a popular one many romance writers swear by. I’m not great at following anyone else’s mold. The way I work is making things up for myself, and finding the way I need to… Read more »
Hey word-nerd! Welcome to another episode of DIY MFA Radio. Today I’m so excited to host Stuart Horwitz on the show. Stuart is someone who is as excited about connecting with writers and helping them reach their goals as I am. We’ll be talking about planning your novel and how to plot without a formula…. Read more »
I think we all have a romantic notion of the author springing from his bed, crying “Eureka!” and scribbling furiously some wonderful new idea that has just been beamed into his head like an alien. I like this idea. I like to exploit this idea. I carry around a Moleksine notebook. Who doesn’t, these days?… Read more »
Structure. Constraints. Boundaries. Are you already withering up a little and looking for an escape? The idea of being fenced in by rules and structure can feel stifling, but it shouldn’t. Adding structure can actually be freeing. In one famous experiment, preschool children were observed playing at a playground without a fence around it, and later… Read more »
Elizabeth Craig’s latest book, “Death at a Drop-In” , released in August and “Quilt Trip” launches this December. Elizabeth writes the Memphis Barbeque series for Penguin/Berkley (as Riley Adams), the Southern Quilting mysteries for Penguin/NAL, and the Myrtle Clover series for Midnight Ink and independently. She blogs at Mystery Writing is Murder which was named… Read more »
I first learned to sketch out a story in a novel-writing class. The purpose of the sketch is to provide a snapshot of your work-in-progress (WIP), capturing all the important information on one page so that you can see it all at a glance. This technique is especially useful when you need to give a short excerpt… Read more »
Starting a novel or short story is like making a promise to the reader. You set up rules and expectations that your readers will rely on as they read your piece. You take your readers by the hand and guide them into your story. You develop a trust-relationship with the reader. Delaying or changing these… Read more »
