I adore poetry. Not only do I write poems and have been fortunate enough to have several published, but I also read this brief but powerful form of literature extensively. And I’m willing to bet that many word nerds read (and maybe write) poetry as well. In fact, fellow DIY MFA columnist Brenda Patterson often… Read more »
What does it mean to leave a legacy? Typically it implies that someone has handed down something of value to a successor or the next generation. That legacy can be tangible (wealth, property, artistic works) or intangible (influence on a field or industry, life lessons), and its impacts can sometimes change the world forever. In… Read more »
Who doesn’t love a good book series? George R.R. Martin’s A Song of Ice and Fire, Sue Grafton’s Kinsey Millhone novels, Ken Follett’s Century Trilogy – no matter the genre, readers get a thrill out of revisiting familiar settings and reuniting with favorite characters. It’s also possible that we might continue reading a series because… Read more »
We’ve already talked about how characters, plot, and conflict are frequent sources of literary themes. But one building block of storytelling that we haven’t covered yet is setting. It’s as important as the other three “blocks,” using location, time period, and other elements to play a pivotal role in the external conflict and the protagonist’s… Read more »
Every previous plot point has led up to this moment. The inciting incident ushered the protagonist into the main conflict. The Act I choice saw him committing to a goal influenced by that conflict. The midpoint gave him time to reflect and rethink his plans, and then the Act II crisis nearly destroyed his faith… Read more »
There comes a point in every story when, despite the protagonist’s best efforts, everything goes wrong. The midpoint taught her to take an improved approach to achieving her story goal. But that won’t protect her from experiencing the worst possible setback in her pursuit. Now her goal seems unattainable, her task insurmountable – and the… Read more »
We’ve covered two plot points so far in Developing Themes In Your Stories: the inciting incident, which thrusts the protagonist into a story’s external conflict; and the Act I choice, where the protagonist takes the first step to achieving his goal. Now he’s in the thick of that goal pursuit, but not everything has been… Read more »
As much as we love our protagonists, we can’t help but feel a strange or “corrupt” affinity for our antagonists. After all, the antagonist’s main role is to make the protagonist’s life difficult. However, this unique character relationship – er, conflict – is more important than we might think it is. Not only does it… Read more »
