I’s fair to say, without tension, there is no romance. There is tension in love. The very word attraction in physics is a force drawing objects together. A force. An interest. Evoking desire. To be attracted to someone implies a longing or a needing to be around that person. This means whenever they are not… Read more »
The most hurtful critique I ever received came from a well-meaning uncle who, after reading my first published novel, spent an hour on the phone picking it apart. The first thing I did after hanging up was to yell a few choice words I can’t repeat here. Unfortunately, as soon as I finished yelling I… Read more »
Writing is fraught. You worry about your imagination. You worry about your writing ability. You descend into navel gazing. “Is my writing engaging enough? Are my ideas interesting enough to hold a reader’s interest? Does my idea have enough substance to be a poem, short story, novel?” It all starts to spin out of control…. Read more »
Every character in a story is important, even minor ones. Actually, especially minor ones. When written well, they advance plot and/or develop a major character. If they’re not, well…we’ll get to that later. But first, I’d like to discuss three simple ways minor characters make a story. Pay close attention, and you might learn the… Read more »
Many writers, including myself, struggle with the idea of a ‘writing practice’. All I desire is to share my writing with the world, publish my novel, and hopefully earn enough in the interim to ward off malnutrition. Simple, right? If only! If you are anything like me, you’ve spent too many unfocused hours at a… Read more »
For the longest time, I only considered myself a contemporary young adult writer. I’d fallen in love with realistic teen stories, and I thought I’d found my writing niche. Last year, with three completed YA manuscripts under my belt, I started brainstorming my next idea. I decided to share my outline and first couple of… Read more »
We’ve already talked about how characters, plot, and conflict are frequent sources of literary themes. But one building block of storytelling that we haven’t covered yet is setting. It’s as important as the other three “blocks,” using location, time period, and other elements to play a pivotal role in the external conflict and the protagonist’s… Read more »
Like many writers, I write because I can’t imagine not doing it—not because I always love writing. Some days, I decidedly don’t love it. Sometimes I have to write even when I’m not inspired (that’s what it means to have a career rather than a hobby). So I’ve developed techniques to keep my butt in… Read more »
When I set out to write The Hawkweed Prophecy, I was struck by the idea of two girls switched at birth and the teenagers they’d become. I had never written a novel before. At this point, I had just finished the script for The Little Prince and had worked with a team, turning in drafts… Read more »
Last year, I attended a national writing conference. I settled into my seat for the spotlight author interview, pencil poised, ready to absorb lessons from this New York Times bestselling author. The moderator pulled out his list of questions, smiled at the author, and said, “I promise I won’t ask where you get your ideas.”… Read more »
