“Subplots are like the adjectives of your main story/sentence. You can still understand the sentence without them, but it’s not as fascinating.” ~Charlie Holmberg I love this quote because I think it captures the nature of subplots to a T. The main plot is like a noun or verb in a sentence, it’s the part… Read more »
The Star Wars franchise is one of my favorites of all time, and while Rogue One and The Empire Strikes Back are at the top of my list, I have a special place in my heart for Episode IV: A New Hope. We’ve done a bunch of 3-act analyses over the past few months, and… Read more »
Whether you’re brand new to writing or have been working at it for quite some time, you know how important it is to craft a compelling main character who propels the story forward. I’ve been working with writers for well over a decade and over that time I’ve seen again and again just how crucial… Read more »
We’re back with another 3-act structure analysis. Last time I did one of these, it was a deep dive into Pride and Prejudice by Jane Austen. But three-act structure doesn’t just apply to books written hundreds of years ago. To underscore that point, I thought I’d switch things up and do a three-act analysis of… Read more »
Have you ever played Myst? It’s an immersive adventure video game from 1993 and I was obsessed with it when I was in high school. It was a time long before you could easily Google for clues or hints, so it took me months to solve all the puzzles. I remember when I finally figured… Read more »
Today, I wanted to talk about an important—and often overlooked—area of the craft, and that is narration. I define narration as any part of the story that’s told by the narrator. This narrator can be a character in the story (as in first person) or they can be an entity outside the story looking in… Read more »
A lot of people think world-building only applies to fantasy, where you have elaborate maps of sprawling kingdoms. Or maybe they think it applies to sci-fi or historical fiction, where you have to bring to life all the intricacies of the story’s world. Whether you write something “world heavy,” or your story’s world is a… Read more »
In my last post, The Three-Act Structure, I talked about how this storytelling framework works. Today, I thought I would do a three-act analysis of Pride and Prejudice, one of my favorite books of all time. Spoiler Alert! Obviously, we can’t talk about the structure of a book without mentioning the ending and giving away… Read more »
Many writers have a love-hate relationship with the three-act structure. On one hand, it gives us a foundation for storytelling so we know exactly what pieces go where. On the other hand, it can feel a bit constraining, especially if we’re writing a character-driven story where there isn’t such a clear plot. To understand the… Read more »
For the past year, lawyer-hubby, the nerdlings and I have been living in a temporary location as our home gets renovated. We hit some bumps in the road and only now, eleven months after moving out, are we finally able to start making any progress on the construction. This got me thinking about how home… Read more »
