Summer is here, which means it’s conference season! It’s that time of year when a lot of writer’s organizations have their conferences and big events. Conferences are among my favorite things ever! I love hanging out with fellow writers and spending some dedicated time thinking about nothing but the craft and business or writing. At… Read more »
What do you do when you’re out of ideas? I have often struggled with this very problem. In fact, as I sit down to write this newsletter, I’m wondering what on earth I might have to say about writing that hasn’t already been said. Terrifying as it may seem, I suddenly find myself out of… Read more »
Edgar Allan Poe is one of my favorite American authors. I love how so many of his stories are dark, creepy, and suspenseful, but they never quite cross the line into outright, over-the-top gore. Poe also is brilliant at writing unreliable narrators, people who believe their motivations are reasonable and their actions justified, even when… Read more »
Have you ever been in that state of creative flow where it feels like your book is practically writing itself? It’s amazing, right? To me, it’s like the muse is whispering straight into my ear and those words just pour onto the page. I don’t even notice that I’m writing because the ideas just flow…. Read more »
At DIY MFA, we talk a lot about “big craft” topics like character development, world-building, or story structure. Today, I wanted to do something a little different and discuss scene craft—i.e., the techniques that go into creating a compelling and engaging scene. Scenes are an essential component of storytelling because they are the fundamental building… Read more »
At DIY MFA, we focus a lot on the craft of writing. It’s our specialty and (truthfully) it’s one of my favorite things to teach. I love coming up with frameworks and structures to help writers learn the craft and implement techniques on the page. But there’s more to writing than just the writing itself…. Read more »
The use of generative AI in writing is a topic that comes up a lot in DIY MFA courses and programs. Let’s face it, this is probably the biggest technological revolution we’ve had in the writing space since movable type. As I’ve shared in the past, I am “AI-cautious.” I don’t like how many LLMs… Read more »
We’re back with another three-act analysis, this time of the French classic, The Little Prince by Antoine de Saint-Exupery. This book has been a long-time favorite of mine, and like Animal Farm it has a great deal of allegory and symbolism woven into it, though it is decidedly less pessimistic and has a tone that… Read more »
One of the most challenging parts of the creative process is what many writers lovingly call B.I.C. (backside in chair). But productivity isn’t just about getting to the desk and cranking out the words. Many of us often struggle with distractions and all sorts of interruptions so that even if we are able to get… Read more »
Backstory is an essential part of writing. It puts elements of the main narrative into context, helping us understand characters’ motivations and the history of the world or setting. It gives us a better sense for character relationships and also helps us understand why certain objects, events, or institutions are important. There are primarily eight… Read more »
