#5onFri: Five Ways to Tell Enough without Telling All

#5onFri: Five Ways to Tell Enough without Telling All

There is often a temptation to give your reader more than they really need, or, more importantly, want to know. For example, you describe a garden that is just coming into bloom and then go into minute detail about the flowers and trees. Your description includes the botanical names of three species from one genus,… Read more »

#5onFri: Five Tips for Creating Your Villain

Somehow bad guys and gals are in many ways more challenging to create than our so-called heroes or heroines. This is an area of your writing that invites you to stretch yourself, to play with multiple violations, remembering that you will fall in love with this character, and you will have to manage, at the… Read more »

Sacha Black

#5onFri: Five Ways to Improve Your Description

Description is one of those magical elements of prose. Whether it’s “good” or not is entirely subjective. One author’s Mozart is another’s Metallica. But, regardless of your preferences, there are some techniques and literary tools you can use to tighten your sentences and sharpen your description. Here are just five tricks you can use.  1)… Read more »

Balancing The Author Voice With Writing Modes

Our author voices are made up of a combination of modes. The four main ones being dialogue, description, action, and internal thought. Those are the most common modes balancing fictional prose. Too much of any one mode—clumps of description, trains of dialogue, pages of action, and dumps of internal thought—bogs down prose and makes it… Read more »

How to Make Your Character Descriptions Perform Double-Duty

Web Editor’s Note: Please join me in welcoming Abigail K. Perry to the DIY MFA team! In her column, Let’s Talk Books, she’ll be dissecting passages from great writers, breaking down why what they do works, and how you can apply it to your own writing.  Have you ever walked into a park and people watched? How… Read more »