I talked before about the first stages of editing, from pre-round edits, to cover copy, to round one content edits. We attacked details with gusto, but moving into copy edits and final line edits, the details went microscopic. Clarity of prose, sensitivity of subject matter, echo words, punctuation—we looked at every sentence as through a… Read more »
This is the fifth and final post in my series on the benefits of writing with an outline. In my first post, I listed three reasons why most writers need an outline. In the second, I discussed three things to keep in mind when creating an outline. In the third, I talked about how to use one while… Read more »
“I finally finished my ten-book epic fantasy series! Now I’m ready to start editing. How do I do that, exactly?” –The Next J.R.R., G.R.R., or J.K. Woah! Slow down there, turbo. First of all, congratulations on reaching the editing stage! That’s a step that most budding authors don’t get to. But you’re looking at this… Read more »
Over the past few weeks, we’ve established that in order to give your manuscript the best shot at standing out in a crowded marketplace, you need to hire a freelance editor. We’ve also talked about the basic services you can expect your editor to provide. Now let’s talk about how you find your editor. Because… Read more »
You’ve been slaving for months, maybe years, writing 1000 words a day or fitting in a few paragraphs whenever you have a spare moment. You’ve written and rewritten scenes, sections, chapters to get them just right, spent hours researching the cultural habits of obscure tribes in the Amazon (or wherever your inspiration came from), all… Read more »
In January, I started my own short story zine. Ever since, I’ve been reading my way out of a steady pile of submissions. What’s more, I’m reading these stories with a new perspective—while I usually read for pleasure, as an editor, I now have to make judgments about each story. What makes a story good? Which will… Read more »
In April of 2011, I hit a wall in my book. This was not a “I need a break” or “I’m tired” or “this is hard” wall. Writers don’t get breaks. We’re always tired. And writing is never not hard. This was a “this is not working” wall. There was a fundamental flaw in my… Read more »
On Tuesday, we hosted Random House Editor, Mark Tavani, who spoke about the acquisitions process and what editors look for in submissions. Today, we get Mark’s take on the author-editor relationship and what it’s like to work with an editor. Without further ado, here’s Part 2 of our Editor Q&A Series this week. Editors all… Read more »
In December, I had the opportunity to attend the Random House Open House. It was a fabulous event, providing valuable information to writers and readers alike. One of the highlights of the open house, though, was a panel discussion with Ballantine publishing team behind Justin Cronin’s bestselling book THE PASSAGE–and now the sequel THE TWELVE. This… Read more »
