We end our week-long celebration of Teen Literature with an interview today with the charming Elana Johnson. I began following Elana’s blog when I first started exploring the blogsphere for fellow writers. Immediately it became one of my go-to writing blogs because of her honest, no-nonsense advice and her generosity to other writers. She’s one… Read more »
Writing fiction is alchemy. We can have all the ingredients for a great story and still miss that wow factor that makes it all come together, makes our work transform from words on a page to a living, breathing entity with the possibility to burrow into someone else’s consciousness. And we all know plenty of… Read more »
One of my favorite ways to outline or plan a story is to map it out like a subway or road map. Here’s how this technique works. Each road or subway line represents a different story-thread or plot line. The dots (exits on the highways or subway stops) represent different scenes or moments in the… Read more »
The first thing you learn when writing for children and teens is that you have to get rid of the parents. With parents or other adults around, the kids don’t have as many opportunities to go on adventures or get into trouble. The easiest way to solve this problem is to kill off (or otherwise… Read more »
Before we get to the discussion of character archetypes, I’d like to make a request: please strike the term “secondary character” from your vocabulary. Not only does it imply that somehow these characters are less important than the protagonist, but the term itself doesn’t tell us much about the role these characters play in the… Read more »
Every story needs a “bad guy,” someone or something that gets in the protagonist’s way and keeps making trouble for him or her. For instance if my life were a novel, the “bad guy” would be an impossibly cute 3-year-old ginger cat, whose offenses include: “Decorating” the living room with shredded articles of mail Skulking… Read more »
I first learned to sketch out a story in a novel-writing class. The purpose of the sketch is to provide a snapshot of your work-in-progress (WIP), capturing all the important information on one page so that you can see it all at a glance. This technique is especially useful when you need to give a short excerpt… Read more »
Starting a novel or short story is like making a promise to the reader. You set up rules and expectations that your readers will rely on as they read your piece. You take your readers by the hand and guide them into your story. You develop a trust-relationship with the reader. Delaying or changing these… Read more »
Here’s a secret writing exercise I only recently learned: If you want characters to feel real for the reader, you have to hint they have the potential to be the opposite of what they appear. Wait, what? The opposite of what the character seems . . . wouldn’t that mean the character is acting out of character?… Read more »
