Welcome to the final article in this three-part “Ten Rules for Writing Killer Romance” series. If you missed Part One and/or Part Two, please click the preceding links. The reader of your romance novel has enjoyed close to three-quarters of your awesome story. You have successfully tortured the poor soul by disrupting what has become… Read more »
Halfway through our stories (literally, the 50% mark), something absolutely remarkable happens. As we read through Act II, we’re moving along, enjoying the new obstacles that challenge your protagonist when *cue whipping sound* something BIG happens. In his book Super Structure, multi-bestselling author James Scott Bell questioned if there really was anything “unique” about the… Read more »
In the last speculations, I introduced you to Kim Hudson’s The Virgin’s Promise, the feminine archetypal structure and promised that I’d analyze two stories in my next column. I decided to explore Ever After, the Cinderella movie starring Drew Barrymore for my first selection. The Virgin’s Promise is a screenwriting tool, first and foremost, and… Read more »
Welcome back, readers! I hope that my last article on The Argument Against Transformation helped clear up any questions you had on theme and your Lead’s need for transformation. Now, as we move forward with act one, we approach a crucial signpost scene that, though quick, makes a big difference escalating tension and exciting readers,… Read more »
Last year, I wrote a two-part series on The Hero’s Journey. In the second of those columns I mentioned discovering Kim Hudson’s The Virgin’s Promise and vowed to return to the topic once I’d had a chance to study the book. Now that I’ve done my homework, I’m going to write another two-part series on… Read more »
There’s no one way to plot a romance. Everyone has their own system of structuring. Romancing the Beat by Gwen Hayes is a popular one many romance writers swear by. I’m not great at following anyone else’s mold. The way I work is making things up for myself, and finding the way I need to… Read more »
Hey there word nerds! Today I am delighted to have Rodrigo Hasbún on the show! Rodrigo is a Bolivian novelist whose work has appeared in many top literary magazines such as Granta and Words Without Borders. In 2007, he was selected by the Hay Festival as one of the best Latin American writers under the… Read more »
There comes a point in every story when, despite the protagonist’s best efforts, everything goes wrong. The midpoint taught her to take an improved approach to achieving her story goal. But that won’t protect her from experiencing the worst possible setback in her pursuit. Now her goal seems unattainable, her task insurmountable – and the… Read more »
Hey there word nerds! Today I’m delighted to have K.M. Weiland on the show. K.M. Weiland is an award winning and internationally published author with a passion for helping writers become published authors. Through her award winning website, Helping Writers Become Authors, she has mentored numerous writers. She is also the author of several books… Read more »
We’ve covered two plot points so far in Developing Themes In Your Stories: the inciting incident, which thrusts the protagonist into a story’s external conflict; and the Act I choice, where the protagonist takes the first step to achieving his goal. Now he’s in the thick of that goal pursuit, but not everything has been… Read more »
