For the last few months, we’ve been doing three-act analyses of various books and films. We examined Pride and Prejudice, the movie Die Hard, and Kate Chopin’s fabulous story “The Story of an Hour.” Today I thought I’d do an analysis of one of my favorite books: The Hunger Games. This book (along with Pride… Read more »
Many writers have a love-hate relationship with the three-act structure. On one hand, it gives us a foundation for storytelling so we know exactly what pieces go where. On the other hand, it can feel a bit constraining, especially if we’re writing a character-driven story where there isn’t such a clear plot. To understand the… Read more »
Today’s episode is our monthly Craft Jam. This is a new feature at DIY MFA, where once a month, Lori and I will be jamming about the craft. In these episodes, we’ll be doing a deep dive into various craft topics like character development, story structure, world building, and more. This month’s episode is a… Read more »
What is it about a book that compels readers to stay up far later than they should on a weeknight? What makes a story a so-called page turner? Unputdownable. Why is it we have trouble getting to the end of one book, yet we fly through another? The answers have a lot to do with… Read more »
In the fall of 2016, after I had been living abroad for five years, my second child was born. My husband, two daughters, and I were living with my mom. I had no friends. I was exhausted, lonely, bewildered, and often angry. The world had shifted around me, and I no longer understood it.I felt… Read more »
Since the onset of the 21st century, writing has undoubtedly evolved in a lot of remarkable ways. Now, more than ever, writers from all niches have access to more resources to help them create genuinely outstanding literature. While the scope of available writing tools might have expanded and access to resources increased, the fundamental principles… Read more »
Signpost Scene #12, the Q Factor, in James Scott Bell’s Super Structure is not one to forget. Though simple in concept, understanding it will determine the difference between a convenient ending and one readers will talk about for years. This is how it’s done. The Q Factor Tagged the “Q Factor” in James Scott Bell’s… Read more »
Hi writing warriors, and welcome back to studying and understanding James Scott Bell’s genius breakdown of a plot’s 14 signpost scenes (as discussed in his craft book Super Structure)! If you recall from my last month’s column—featuring Signpost Scene #10, Mounting Forces—we’ve forged forward into the last act of the story. In other words, it’s… Read more »
All right, writers! We’re in the home stretch. If you’ve been following along with my last nine articles studying James Scott Bell’s insightful book on plot, Super Structure, you know everything I’ve discussed leading up to this crucial—yet quick—signpost scene. If you haven’t (I encourage you do!), here’s a quick summary: we’ve just left Act… Read more »
Storytelling language can go by many names, especially when it comes to major plot points: point of no return, external and internal conflicts, stakes, etc. One of the most well-known terms defines a moment essential for every story. It comes at the very end of your middle act and pushes your Lead into a new… Read more »
