In most collective storytelling games I have played we’ve worked toward a happy ending. More often than I would like, a campaign will fade to nothing after one too many scheduling conflicts—such is the nature of a game played by Busy Adults with Many Important Things to Do™. And sure, there is the occasional TPK… Read more »
I know I’m in trouble when I’m taking my work too seriously when I can’t find something to be amused by. I have written about some really unfunny things—addiction, cancer, death. My latest novel, An Upside-Down Sky, is set in Namyan, a Buddhist country modeled after Burma, which is a kissing cousin of North Korea… Read more »
A rolling wave of earth rumbled me out of my sleep like it had a dozen times before in other types of disaster. Instinct kicked in as I jumped out of bed to the closest doorway to only remember—there aren’t earthquakes in Tennessee. Weird. Something didn’t feel right though and without thinking, I went to… Read more »
If you read my last article on the Point of No Return Decision (Signpost Scene #5 in James Scott Bell’s Superstructure) you know that every Lead makes a HUGE decision that launches them into Act II. But what happens after that massive moment? For some weaker first drafts of a WIP, sometimes nothing. This is… Read more »
One of the key elements to be mindful of when crafting a scene is tension. Think of the scene like a stew. Your characters, plotlines, and conflict make up the “meat and potatoes”, but tension is that little extra spice that brings your scene to life. It’s the line that runs directly from your story… Read more »
I’s fair to say, without tension, there is no romance. There is tension in love. The very word attraction in physics is a force drawing objects together. A force. An interest. Evoking desire. To be attracted to someone implies a longing or a needing to be around that person. This means whenever they are not… Read more »
