You have an idea for a story and you’re pretty sure this is an idea that would appeal to kids, be they tots or teens. But you haven’t been a kid yourself in . . . well, a long time. And if you don’t have kids yourself, or your kids aren’t the same age as… Read more »
Hi, I’m Tammy Lough, and I’m thrilled to be talking romance with you. Over my next three articles, we’re going to go over ten rules to help you craft a killer romance. Plant the soles of your Jimmy Choo’s on the floor and wiggle your backside. Let’s do the “Happy Dance.” Why? Keep this on… Read more »
The man-versus-X distinctions we were taught in school are pretty useless. In my experience, at least, knowing that an individual might struggle against nature or man or self or society does little to help me craft gripping scenes. Don’t get me wrong: I’m not saying conflict isn’t important. It’s absolutely essential. But giving broad labels… Read more »
I’m going to diverge a bit from the usual for the next couple of columns. As we approach the end of the year (where did 2018 go, and so fast?!) it’s the perfect time to consider something we may take for granted most of the time: our creative process. Right now, many—or some, at least—of… Read more »
Some may argue that fantasy offers the most wide-open landscape for storytelling. But with 5,000 years of recorded human history spanning many civilizations both extant and extinct, empires that have come and gone, innumerable people both famous and infamous, and seven continents (well, maybe Antarctica isn’t quite so rich a source), the worlds and characters… Read more »
You’ve done it. Developed a writing voice distinctly your own. Readers can clearly hear YOU in your articles, essays, and poems. Congrats! But what about your fiction? If you’re like me, the trick of bringing that voice to fiction, and writing believable characters—with their own voices—is not so clear. In my first article on voice,… Read more »
Do you know what entices a reader’s brain and what frustrates it? I enjoy learning about how brains work, and as a writer I particularly appreciate Lisa Cron’s book Wired for Story, which uses brain science to explain how to create a satisfying story. I have combined what I’ve learned from Wired for Story with… Read more »
I’m an indie fantasy romance author, and am currently in the revision process of my debut novel SPANK: Odyssey. I keep reading online about readers not being invested in a story because the stakes are not high enough. I feel these people are saying your conflict isn’t interesting unless someone is at risk of dying… Read more »
My first order of business this time around is to offer a disclaimer. I am not a scientist, though I am married to one. What I am is an author of science fiction and fantasy who understands the importance of research in creating verisimilitude in fiction. In my last science column, I detailed the perils… Read more »
In Hunger, Roxane Gay faces a litany of uncomfortable truths: the way we body shame, dismiss rape victims, and look to families who can sometimes increase the weight of our most private suffering when they don’t understand the entirety of the situation. Sometimes oversimplified as a memoir about gaining and losing weight, Hunger is so… Read more »
